Alice Giles' Antarctic Musical Journey
Alice in Antarctica Concert Footage
Llewellyn Hall, ANU School of Music
Sunday 26 June 2011
Alice in Antarctica featured images, sounds and stories from Alice Giles' journey to Antarctica in 2011, including a piece Alice created for a live concert at Mawson Station earlier this year as a tribute to her grandfather C.T. Madigan and his role in the Mawson expedition. Also featured were readings from Madigan’s diaries and music he referred to while in Antarctica; the Australian premiere of works for electro-acoustic harp by Australian composers Prof. Larry Sitsky, Jim Cotter, Martin Wesley-Smith and Joshua McHugh; and a new transcription by Nigel Westlake.
The concert included the opening of the Antarctica Conference: Music, Sounds & Cultural Connections, with speakers ANU Vice-Chancellor, Professor Ian Young; Tim Bowden; representative from the Australian Antarctic Division; and Head of the ANU School of Music, Professor Adrian Walter.
If the video is slow to load on your connection, switch to the Standard Definition version by clicking the 'HD' icon on the player.
About Alice in Antarctica
Commemorating the Centenary of the 1911-1914 Australasian Antarctic Expedition- A new work by Martin Wesley-Smith based on and including excerpts from the as-yet unpublished diaries of Dr Madigan, reflecting Alice’s relationship with her grandfather;
- A work by ANU Head of Composition Jim Cotter;
- A new work by ANU composition student Joshua McHugh titled Billions of Penguins;
- A composition by Rupert Summerson reflecting his eight trips (including three winters) to the Antarctic to express what short-term creative visitors are unable to: a sense of the inherent music of the Antarctic continent as experienced by someone to whom it feels like home;
- A composition by Larry Sitsky, focusing on an outdoor performance on a lever harp made by Tasmanina harpmaker Andrew Thom.
- Alice has arranged “Beneath the Midnight Sun” by Nigel Westlake, a piece from the Imax film Antarctica which describes Scott’s fateful voyage to the Pole
- How will the harps cope with the long sea voyage, and temperatures in Antartica?
- How difficult will tuning be?
- How will the audio-visual equipment (including electro-acoustic equipment for the large harp) withstand the travel and environment?
- What will the acoustics of the performance spaces available be (including lighting for video)
- Will the harps be able to go outdoors to interact with the environment?
- How will Alice play with cold fingers (or gloves)!
Finding out these answers will be a large part of Alice’s personal adventure in this extreme environment.
- Australian Government Department of Sustainability, Environment, Water, Population and Communities, Australian Antarctic Division: http://www.antarctica.gov.au
- ANU School of Music
- Camac Harps: http://www.camac-harps.com/
- Andrew Thom, Harpmaker: http://www.thomharps.com.au/
- Harp Centre Australia: http://www.harpcentre.com.au/
- Thanks to Julia Butler for transcribing the CT Madigan diaries, which I have used as reference for musical items heard during 1911-1914.
Professor Adrian Walter; Anne-Maree O’Brien; Josh Chaffey; Kirsty Guster; Julie Cassidy; Arnan Wiesel; Dinah Pollard.
Alice's Blog [http://aliceinantarctica.wordpress.com]
Antartica: Music, Sound and Cultural Connections
(Creative Arts Conference ANU School of Music)
Australasian Expedition 1911-1914
More about Dr Cecil Thomas Madigan
(1889 - 1947)
A member of the First Australasian Antartic Expedition 1911-1914 and Alice's grandfather.

